Aspects of the Secular Cantata in Late Baroque Italy by Michael Talbot PDF

By Michael Talbot

As proven through the ever-increasing quantity of recordings, versions and performances of the large repertory of secular cantatas for solo voice produced, basically in Italy, within the moment 1/2 the 17th century and the 1st half the eighteenth century, this lengthy overlooked style has eventually 'come of age'. in spite of the fact that, scholarly curiosity is at the moment lagging in the back of musical perform: tremendously, there was no basic examine of the Baroque cantata because Eugen Schmitz's instruction manual of 1914, and even though many educational theses have tested microscopically the cantatas of person composers, there was little chance to view those opposed to the wider canvas of the style as a complete. The participants during this quantity opt for elements of the cantata correct to their targeted pursuits so as to say new issues concerning the works, no matter if ancient, analytical, bibliographical, discographical or performance-based. The top concentration is on Italian-born composers operating among 1650 and 1750 (thus no longer Handel), however the chance can be taken in a single bankruptcy (by Graham Sadler) to match the French cantata culture with its Italian dad or mum in organization with a startling new declare in regards to the meant instrumentation. Many key figures are thought of, between them Tomaso Albinoni, Giovanni Bononcini, Giovanni Legrenzi, Benedetto Marcello, Alessandro Scarlatti, Alessandro Stradella, Leonardo Vinci and Antonio Vivaldi. The poetic texts of the cantatas, all too frequently handled as being of little intrinsic curiosity, are given their due weight. house is additionally stumbled on for discussions of the historical past of Baroque solo cantatas on disc and of the belief of the continuo in cantata arias - a subject matter extra complicated and contentious than could first and foremost be obvious. The publication goals to stimulate curiosity in, and to win converts to, this style, which in its day equalled the instrumental sonata in value, and during which quite a lot of composers invested a big a part of their creativity.

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Aspects of the Secular Cantata in Late Baroque Italy by Michael Talbot

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