By Michael Saffle,Hon-Lun Yang
China and the West brings jointly essays on centuries of Sino-Western musical trade by way of musicologists, ethnomusicologists, and track theorists from all over the world. It opens with a glance at theoretical ways of previous reports of musical encounters and a complete survey of the intercultural and cross-cultural theoretical frameworks—exoticism, orientalism, globalization, transculturation, and hybridization—that tell those essays. half I makes a speciality of the particular encounters among chinese language and ecu musicians, their tools and associations, and the compositions encouraged by way of those encounters, whereas half II examines theatricalized and mediated East-West cultural exchanges, which frequently drew on stereotypical tropes, leading to performances extra artistic than actual. half III appears to be like on the musical language, sonority, and issues of “intercultural” compositions via japanese and Western composers. Essays partially IV handle reception reports and look at the ways that changes are articulated in musical discourse by way of actors serving diverse reasons, even if self-promotion, advertisement advertising and marketing, or modes of nationalistic—even propagandistic—expression. The volume’s huge bibliography of secondary assets may be important to students of track, modern chinese language tradition, and the globalization of culture.
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Extra info for China and the West: Music, Representation, and Reception
China and the West: Music, Representation, and Reception by Michael Saffle,Hon-Lun Yang